About

Built slowly,
on purpose.

Lannore is made by AGIMetis, in Europe. It is early, and rather than dress that up, it is worth being precise about where the platform actually is.

Lannore is globally positioned from the start. The first product language is English, while films may come from any region and span shorts, features, series, documentary, animation, student work and transparently labelled AI-assisted work.

Curation is not a geographic wall. A platform earns its reputation one film at a time, and the only way to be trusted with someone's recommendation is to have watched everything you are recommending. That does not scale on day one, and pretending otherwise is how curated platforms quietly become upload hosts.

The plan is to grow when the numbers say so, not when the ambition does.

Where things stand

The road, without the fog machine

  1. Now

    Founding season

    Filmmaker conversations, a founding creator pipeline, and the first 5 films for a closed beta. Every one onboarded by hand.

  2. Next

    Closed beta

    Five rights-cleared films, account-protected trailers and playback, and filmmaker onboarding done personally. Real evidence instead of projections.

  3. Then

    Curated public launch

    Around 10–12 anchor films, a regular premiere calendar, the first direct sponsors and the first themed collections.

  4. Later

    Membership

    An optional ad-free membership only after at least 50 suitable licensed films and proven viewer retention. Not before — a subscription to an empty shelf is a bad deal honestly described.

Each step has a condition attached rather than a date: the platform only moves forward when the previous stage pays for itself. It is a slower promise, and a more survivable one.

Press

For journalists and festivals

For interviews, festival partnerships, film-school programmes or a press kit, write to support@lannore.com with “Press” in the subject line.

Lannore is operated by RPK Digital Solutions GbR. Company details are on the imprint page.

Early is the
interesting part.

The founding films and the founding audience arrive together, once.