Early access Submit a film
Submit a film Get early access

For filmmakers

Your film, introduced.

Submitting is free and stays free. The licence is non-exclusive. You keep your rights, and Lannore earns a share only once your film has earned something first.

Submit a film See the maths

What we are looking for

Work with a point of view

The catalogue starts small but global: no country, format or genre is the default. The question we ask is whether the work has a point of view, clear rights and the quality to be introduced deliberately.

Short film

Festival shorts and standalone work. The format the platform is built around.

Documentary

Feature and short form. Subject-led work that needs context to land.

Animation

Any technique, any length. Craft-heavy work that rewards a real screen.

Debut feature

First and second features looking for an opening rather than a shelf.

AI-assisted film

Judged the way everything else is: on the film. Disclosure expected, not penalised.

Student work

Graduation films and festival submissions from film schools and their alumni.

The money

What 80% actually means.

Most platforms quote a share without saying what it is a share of. The number moves enormously depending on whether tax and card fees come off before or after your cut.

Ours comes off the net — after VAT, refunds and payment fees — and we would rather show you the subtraction than describe it.

A €4.99 rental, line by line

  • Viewer pays €4.99
  • VAT −€0.80
  • Payment and risk reserve −€0.40
  • Net revenue for the film €3.79
  • Your share — 80% €3.03
  • Lannore — 20% €0.76

Illustrative, using German VAT and a flat payment reserve. Real rates depend on the buyer's country and payment method, and the figures that apply to you are confirmed in writing before your film goes live.

90% of tips go to you
50% of net subscription revenue forms the creator pool, if and when a subscription exists

How pooled revenue is divided

your qualified watch minutes
qualified watch minutes of every film in the pool

Qualified means a plausibly human viewing, from a valid account, past a minimum duration — with detected bots, duplicate accounts and reversed payments removed first. A view that nobody watched pays nobody, including us.

What you get

A studio, not a dashboard

A profile that reads like a filmography

Credits, roles, a body of work and the people you made it with — not a channel with a subscriber count.

Analytics that mean something

Qualified watch time, completion rate and the point in the film where attention drops. Bot and duplicate traffic is excluded before it reaches your numbers.

Your team, with real permissions

Add producers and collaborators to a film's workspace with defined roles instead of sharing one login.

Private screeners

Time-limited, access-controlled links for festivals, juries, press and sales agents.

Premiere scheduling

Pick a date, run a countdown, collect reminders, and hold a live Q&A when the film opens.

Payouts you can audit

Every line traceable to a film and a revenue source, with the deductions shown rather than netted away.

Rights and release

Nothing here is a trap door.

  • Ownership Stays with you. Entirely. Always.
  • Exclusivity None by default. Optionally a 30-day digital first-run window if a premiere warrants it, after which the film is non-exclusive again.
  • Territories Defined, not assumed. You can keep regions out of the deal.
  • Price Set within agreed corridors, with the rights holder involved in the decision.
  • Withdrawal Written takedown and archive rules agreed up front, not discovered later.
  • Warranty You confirm you hold the rights to the film, its music, voices and trademarks. This is the one thing we cannot be flexible about.

Founding season

We are choosing
the first films
now.

The closed beta opens with 5 films, and a small founding cohort is onboarded personally — metadata, poster, credits, subtitles, the lot. That kind of attention does not survive scale, which is the honest reason it is limited.

Start inside a verified Lannore account. The public website does not collect screener links, and nothing is published before the film, rights and final master have been approved.